A minute's walk from the nearest mooring at The Mailbox in Birmingham is an astonishing art gallery, well worth the short detour. I only heard of Willard Wigan less than a week ago, when he appeared on Radio 4's Midweek. He's no newcomer, and he's had a lot of press ink in the past, but I suspect he'll go on catching people by surprise for some time yet.
Willard Wigan is a micro-sculptor. He builds/creates/fashions microscopic works of art, most of them mere specks, some of them literally invisible to most eyes. All of them need powerful magnifying glasses, most require microscopes. Four neat ranks of microscopes line up in the gallery, and from the outside it's hard to appreciate how your senses can be transformed when you look
Willard resembles a delicate Lawrence Fishburne, and when you look though the microscopes you'll feel you as if you'd swallowed his a red pill and jumped into The Matrix. What you see there is undoubtedly man-made, and that's the astonishment; it's not nature, it's the artifice of a netherworld.
Look on the link marked 'art'. My favourites are perhaps Girl with Balloon Walking an Eylash, Snow White and the Seven Dwarfs, and The Cast of Peter Pan in a Fishhook. But that's the entertainment. For sheer philosophical pensiveness, see 'Samson pushing apart a Human Hair' - not on the website I think.
Willard Wigan is surprisingly approachable. When I went on Saturday he was there, swigging from a water bottle (he forswears alcohol and any stimulants) and talking openly about his technigue. He's mystical, almost Buddhist, in his approach, meditating, calm. Look closely at hiswork and you can almost - not quite - see the limits of the detail. It's like a digital photograph, where you can *just about* spot the pixelation. Perhaps an electron scanning microscope would ruin the effect. If you zoon into Snow White and fail to see her eyes, the effect might indeed be ruined.
Wigan told me we'd not seen his limits, by any means. He's got a Concorde almost ready to roll out, the smallest-ever tribute to technology.
Yes, yes, but is it art? Some items are truly kitsch - for instance "Mr & Mrs Jack and Elsie Maple", a pair of (presumably dead but real) houseflies, dressed up as jiving 1950s teddyboy and bobbysoxer. That one could be straight out of Mr Potter's Museum of Curiosities, or a flea circus of old.
Others, like the Statue of Liberty, owe their grandeur to the emphasis of their surroundings, in that particular case the eye of a needle. It can only be a question of time before Wigan sculpts a camel, to accomplish another religous parable - he's already done the Last Supper.
But still others make you think. Samson splitting a human hair is one.
I can't think of a better reason to moor up to the Mailbox than to visit Willard Wigan. £3 entrance, £1 per postcard (a little steep, for a souvenir postcard, I think). There's no catalogue, as such, but you can browse through a compendious collection of press cuttings if you ask.
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